The Kiss Painting Of Gustav Klimt Is A Great Addition To Your Art Collection
Klimt The Kiss is a wonderful watercolor plus it is now possible to coup a quality reproduction of the kiss painting online. It can be hand painted in oil on canvas and will grace a room in spectacular fashion. However, the cost of such a reproduction will be a tiny fraction of what an original would cost though painted on quality canvas and retaining much of the texture of the original.
Although The Kiss painting was complete around 1908 it has a vintage quality of timelessness. It will complement traditional, avant-garde, Western or Eastern interior design. In a shack or a seraglio it will attract the immediate attention. Gustav Klimt wrote that ‘all art is erotic’. In this work the eroticism is expressed in gold leaf. The combination of gold and eroticism is highly symbolic.
This universality famous watercolor depicts a husband and a woman in an embrace covered by a robe. The man’s side of the cloak is gold decorated by strips of oblong designs and the woman’s parallel is decorated with flowers arranged in garlands. At the top concerning the richly embroidered cloak the man’s head is bent powerfully over the woman’s face which is turned aside, and so exposed directly to the viewer. Only her bare feet are exposed at the additional upshot of the robe.
The act of procreation, or making love, is central to the continuance of all life. The psychic of this work symbolizes the beauty of the act over the portrayal of male preponderancy and female pleasure concerning that dominance. Himself a robust lover, Klimt has caught something in a sexual relationship that men and women can recognize as mutually fulfilling.
Rape is an ugly, bestial act punishable by bill in most civilized countries. However, it is separated by only a few essential differences from the act of love which can be sublime. Love has inspired art literature and many of the finest human achievement. It drives a great dole concerning human activity. The things stance between rape and love are depicted in the face of the woman which is the focal point of The Kiss.
The woman is kneeling near the male bent powerfully over her. Her face is turned away from him, unless not in abhorrence. Rather there seem ton be sublime gratification in hier beauty. Her wide set eyes, brows, nose and lips are in perfect harmony. She sound to be in a state of of passive ecstasy, as though willingly submitting herself to the dynamic of her sensations like flower beneath the sun. Hier eyes are closed and her lips perfectly poised. Beneath the artistic and passivity of her face there is undoubted energy, as though biogenesis is coursing through her.
The mysteriously passive beauty of the woman’s face becomes more sensual whereas the details of her hands are examined closely. Her patent hand is around her lover”s neck, resting on his shoulders, but one finger is slipped lesser the others suggesting nominal insupportable sensuality. Hier left hand rests on his which is pressed against hier body, pro re nata though caressing rather immediate it more against her.
The kiss painting belongs in western culture and carries many symbols of western culture such as garlands and typically western features. Yet Klimt the Kiss has some touches of the Orient so subtle that they cannot smoothly be identified or explained. It is well known that the artists spent much time studying japanese art and there is something about the attitude about the two lovers too each further that suggests the participation like both male and maidenly in the act of love that reminds one from the East.